American artist . 1821-1872 A self-taught mulatto artist and a landscape painter of the Hudson River school tradition, Duncanson was the first Afro-American artist to receive international recognition. Born into a family of painters and handymen, Duncanson first worked as a house-painter and glazier in Monroe, MI. By 1841 he was in Cincinnati, OH, where he learnt to paint by executing portraits and copying prints. Throughout the 1840s he travelled as an itinerant artist between Cincinnati, Monroe and Detroit.   Related Paintings of Robert S.Duncanson :. | Ellen s Isle | Dream of Arcadia | The Land of the Lotus Eaters | Recollections of Italy | Landscape with Rainbow |
Related Artists:
Bourel Aristide
Dunkerque 1840-Sartrouville 1924
BOL, Ferdinand
Dutch Baroque Era Painter, 1616-1680 Ferdinand was born in Dordrecht as the son of a surgeon, Balthasar Bol.[2] Ferdinand Bol was first an apprentice of Jacob Cuyp in his hometown and/or of Abraham Bloemaert in Utrecht. After 1630 he studied with Rembrandt, living in his house in Sint Antoniesbreestraat, then a fashionable street and area for painters, jewellers, architects, and many Flemish and Jewish immigrants.[3] In 1641 Bol started his own studio. In 1652 he became a burgher of Amsterdam, and in 1653 he married Elisabeth Dell, whose father held positions with the Admiralty of Amsterdam and the wine merchants' guild, both institutions that later gave commissions to the artist. Within a few years (1655) he became the head of the guild and received orders to deliver two chimney pieces for rooms in the new town hall designed by Jacob van Campen, and four more for the Admiralty of Amsterdam. Portrait of a Woman Dressed as a Huntress by Ferdinand Bol, courtesy Figge Art MuseumBy this time Bol was a popular and successful painter. His palette had lightened, his figures possessed greater elegance, and by the middle of the decade he was receiving more official commissions than any other artist in Amsterdam.[4] Godfrey Kneller was his pupil.[5] Bol delivered four paintings for the two mansions of the brothers Trip, originally also from Dordrecht.[6] Bol's first wife died 1660. In 1669 Bol married for the second time to Anna van Arckel, widow of the treasurer of the Admiralty, and apparently retired from painting at that point in his life.[7]In 1672 the couple moved to Keizersgracht 472, then a newly designed part of the city, and now the Museum van Loon. Bol served as a governor in a Home for Lepers. Bol died a few weeks after his wife, on Herengracht, where his son, a lawyer, lived. Probably his best known painting is a portrait of Elisabeth Bas, the wife of the naval officer Joachim Swartenhondt and an innkeeper near the Dam square. This and many other of his paintings would in the 19th century be falsely attributed to Rembrandt.
AST, Balthasar van der
Dutch Baroque Era Painter, ca.1593-1656 1657). Dutch painter. He was the brother-in-law of Ambrosius Bosschaert (i), whose household he entered in 1609, after the death of his father. He remained as Bosschaert's pupil, until he was 21. In 1615 van der Ast moved with the Bosschaert family to Bergen-op-Zoom. However, a year later the Bosschaerts were living in Utrecht, but van der Ast is not recorded there until 1619, when he was entered as a master in the Guild of St Luke. He remained in Utrecht until 1632, then lived in Delft, where he enrolled in the painters' guild on 22 June 1632. On 26 February 1633 he married Margrieta Jans van Bueren in Delft, where he spent the rest of his career; the marriage produced two children.